I’m not a massive fan of musicals. That’s a slightly odd statement from the director of a musical but it’s important to be honest. I am, however, a massive fan of telling good stories, important stories, stories that resonate with an audience and that’s what Billy Elliot is. At the heart of Billy Elliot is the sense of community, and that’s one of the things I love about it. The setting of Newcastle, UK during the miners strike shows a community that is struggling to survive, one that is also fractured, but amongst the desperation and frustration, the story is ultimately one of hope. This hope, found in a masculine society where a young boy discovers their talent and passion for dancing rather than boxing, is particularly relevant today. Working with young people as much as I do, there is still often a stigma attached to young boys participating in creative arts, particularly dance. This story challenges that stigma, it’s important for theatre to do so and that’s another thing I love about it. One of the greatest things, however, about telling this story has been working with such a fabulous production team. It has been an absolute joy to work and collaborate with all of you. In particular, I’d like to thank Dan Wilson and Lauren Harvey, your immense talent and eternal good humour has been so appreciated. The biggest thanks goes out to the gorgeous cast who have worked so hard to get to grips with the intense choreography (and believe me, it has been intense!) and always given so much in rehearsal. Your energy, enthusiasm and dedication has been inspiring and I am incredibly proud of what you have all achieved. Thank you and enjoy the show. Anna Kerrigan Director A MESSAGE FROM THE DIRECTOR 7
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