Open Houses 2026

The atrium, completed in 2000, and the learning lounge added in 2011, continue this tradition of thoughtful adaptation. Tay Creggan’s connection to the arts extends beyond architecture. The house has hosted celebrated visitors, including Anna Pavlova and the Ballets Russes in the 1930s, Princess Margaret in 1975 on her Royal Tour and in 2005, scenes from the Hollywood film Charlotte’s Web were filmed here. These moments reinforce the estate’s identity as a living stage where art, education, and history intersect, creating experiences that resonate far beyond its walls. Every corner, every doorway, every staircase invites our Open Houses guests to linger. The copper accents, hand-carved timber, and intricate leadlight windows are not merely decorative, they are touchstones to Melbourne’s cultural and educational evolution. Visitors can trace the story of women’s empowerment, from The Grail to today’s Year 9 Strathcona Girls Grammar students, through the very bones of this magnificent property. Tay Creggan champions the value of experiential learning, the importance of craftsmanship, and the beauty of a site where architecture and education coalesce. 12 halls, studied its gardens, and carried its lessons into the wider world. In this sense,Tay Creggan is both a historic monument and a living, breathing institution… a place where past, present, and future converge with elegance, intelligence, and heart. As guests reach the front hall once more, the view across the Yarra canopy and established gardens reinforces the property’s exceptional positioning. The sweeping drive, historically designed for both elegance and utility, guides visitors past mature trees and landscaped gardens, where every plant, pathway, and pergola is part of an enduring dialogue with the house. A rare treat for our 2026 Open Houses guests wandering through the corridors, stepping onto the sunlit verandas, or gazing through leadlight windows, Tay Creggan is more than a house, it is a narrative of Melbourne’s architectural evolution, the rise of women’s education, and the enduring capacity of a space to inspire, teach, and delight. It stands as a testament to craftsmanship, vision, and the power of place. In every timber beam, every pane of leadlight glass, and every hand-carved detail, Tay Creggan whispers its legacy. It reminds us that architecture is more than shelter - it is a canvas for human ambition, a stage for learning, and a living museum of cultural memory. Visitors leave not only with admiration for the house itself but with an appreciation for the generations of women who have walked its 14

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