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10 | iNarrabri Magazine

Feature

Interview by Chris Jollow

Where are you originally from?

I was born in Carcoar in Central West NSW

and when I was a toddler my family moved to

the Central Coast where I lived until I met my

husband Ken. We moved to Narrabri in 1978.

What do you do for work?

I retired just over 2 years ago. Before that I

was a permanent employee of CSIRO Ento-

mology for nineteen and a half years.

When and why did you start producing art?

Drawing and painting has always been a pas-

sion. As a young child I remember drawing

pictures all over my Nanna’s concrete water

tanks in charcoal... painting by numbers was

also a popular past-time. Gifts as a child were

always something to do with art as everyone

knew how I loved to paint and draw. The only

subject at school I got an ‘A’ in was art, so I

guess it was only natural to keep painting.

Who are your favourite artists and why?

I really am in awe of works by the European

Old Masters such as Peter Paul Rubens,

Michelangelo, Leonardo Da Vinci, Rembrandt,

Caravaggio, Giovan Battista Moroni & Titan to

name a few. The quality of their drawings and

paintings to me are incredible.

Other artists who inspire me are Monet for

the luminosity and the handling of light and

shadow in his work, also Fredrick McCubbin

for his sparkling impressionist landscapes, and

Tom Roberts, Arthur Streeton and Charles

Conder.

Local Artists I admire would be Robin Stieger

for her wealth of knowledge and always

cheerful attitude and encouragement.

Graeme Compton’s drawings are just magic!

He is so very talented.

Where do you draw your inspiration from?

Inspiration comes in many forms, it may be

the way the afternoon light is hitting a tree

or hill or flower, or it could be light falling on

a face, or a group of kids having fun or an

animal having a scratch. I love the challenge

of painting portraits; faces with character really

inspire me.

What have you been working on lately?

At present I am working on an oil painting of

an elderly man at his craft of making leather

harnesses. I took the photo on a visit to Sover-

eign Hill on a recent holiday to Victoria. I have

been working on it intermittently for a couple

of weeks; I should get it finished within the

next couple of weeks if time permits.

Is there a work that you are most proud of?

The pastel portrait I did of my neighbour Ted

Phillips is one of my favourites along with a

portrait in oil I did of a friend of ours, Alex,

who is a real character! He looks like a bit of

a rough diamond but has a heart of gold.

He was so proud of it so I gave it to him as a

birthday present. The portraits of my grand-

children and family which hang on my lounge

room walls are very special also.

What is the story behind the artworks

pictured?

The pastel of the girl was taken from a photo

Sylvia Kirkby had taken on her travels. The

look in the girls eyes made me want to paint

her and hopefully convey the same feeling to

the viewer.

“Maules Creek Camp Draft” is an oil painting

I did from a photo I had taken at the camp

draft earlier this year.

The young girl in “What Are We Waiting For”

looks to me like a typical young person bored

with waiting, the look on her face and her

body language made me want to paint this

scene.

What advice can you offer budding artists?

The best advice you can give is to draw as

much as you can, every day if possible and

if you draw from life even better. It’s also

beneficial to explore different mediums and

techniques as you never stop learning.

Outside of creating art and work, what do

you enjoy doing?

What I enjoy most is my three incredible

grandchildren, they are the light of my life and

if I want to smile I just think of them, they are

so much fun.

I really love attending art exhibitions. I recently

went to The Legacy of Catherine the Great Ex-

hibition in Melbourne and some of the works

there were very moving.

I also enjoy pottering around the yard on oc-

casion and of course spending time with my

husband and family.

judy nobilo

A talent, so widely admired within the local

art community, grew through the grafitti of

her granny's water tanks and almost two

decades of scientific attention to detail!

photo: chris jollow