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Vol 5 No 3 June/July 2016

Australian Journal of Dementia Care

25

intention was for the students to

understand the basic nature of the

condition from experts, and to be

presented with a range of built solutions.

The practitioners shared valuable

information in the early stages of the

design studio and later participated in

critique sessions of the students’

preliminary work, which informed the

final designs.

As with all building designs, the

students needed to develop empathy with

the client and understand their specific

needs – in this instance the client being the

person with dementia. Students needed to

see and experience the nature of the

disease, the way in which residents relate

to the built environment, and the

appropriateness or otherwise of existing

buildings. Some students were able to do

this by visiting relatives in care, while

others were able to arrange a personal visit

to a home known to them.

Most students selected this topic

because of personal experience within

their own family. In the case of students

with a close relative with dementia, the

personal and family contact and

experience was invaluable in sensitising

them to the importance of the topic and

the problems that might be addressed

through improving the built environment.

Alzheimer’s Australia Vic has

developed a most impressive Virtual

Dementia Experience (VDE) at its centre in

Parkville, Melbourne that has assisted the

dementia design program students

understand the environmental elements

that are helpful or can hinder a person

with dementia. It is a multi-sensory

simulation using light, sound, colour and

visual content projected onto a large screen

to create the virtual reality experience of a

person with dementia.

We are deeply appreciative to

Alzheimer’s Australia Vic for making the

VDE accessible to our design program

students. The impact of a group of

strangers descending on the private space

of a dementia-specific facility can be

disruptive and insensitive. The VDE is an

excellent and non-intrusive alternative to

such site visits.

The course

The Designing for Dementia program had

to fit into a university semester of 13 study

weeks, and comprised 50% of the study

load. A lot was expected of the students. In

this time they:

• Researched the nature of dementia and

related disorders.

• Conducted literature surveys.

• Engaged in site visits.

• Attended lectures on related issues.

• Produced a joint report on core issues.

• Individually designed a project and

illustrated this in detail.

• Produced a written thesis to outline their

research and their design proposal.

The students produced a group report,

each taking one key section of the

established dementia design principles,

which then informed the design process.

The topics investigated were based on the

Environmental Audit Tool (EAT) (Fleming

2011), plus additional insights, and

available research on:

• Unobtrusively reducing risks.

• Providing a human scale and small

group size.

• Enabling residents to see and be seen.

• Reducing unhelpful stimulation.

• Optimising helpful stimuli.

• Providing purposeful wandering and

wayfinding cues.

• Creating familiar spaces.

• Providing opportunities for privacy and

community.

• Incorporating links to community.

• Developing opportunities for domestic

activities.

Some students delved into other

relevant design implications such as:

• Era-appropriate settings.

• The negative effect of strong patterns in

floor and wall surfaces.

• The positive use of colour psychology.

• The need for good quality, even lighting

levels, with an avoidance of glare.

• Culturally appropriate planning,

settings and customs.

• Designing for the senses.

The designs

The students produced dementia-friendly

building designs, responding to the

influence of environment on human well-

being. They selected a range of sites and

various solutions applying the identified

research. All sites were well located within

established communities, community

facilities and areas of interest. All sites were

near housing, shops, schools, libraries,

churches or mosques, and in one case near

an active art and craft community.

Some designs were for residential care

facilities, and several were for community

living or low-care supportive

environments. One included

accommodation for relatives who were

support carers overnight. Several Asian

students chose projects to answer a range

of demands and needs inMalaysia.

Following the initial design course in

2012, two final year overseas students

continued this area of investigation in a

Design Thesis project during 2013

.

One of these designs created a 15-storey

high-rise apartment building in central

Kuala Lumpur, close to commerce and

commercial centres, rail services, and a

mosque. It was intended specifically for

wealthy people who can afford luxury

accommodation and personal care

support. The project incorporated shops

and cafes, as well as a senior citizens’

centre, day care, counselling and

educational services and a child care centre

on the ground floor, all accessible to the

wider community. Some upper floors were

devoted to recreational and educational

activities.

Hong Sheng Low’s design for Penang, showing culturally appropriate architecture and a

bedroom with a unit above for an overnight carer